Some (rushed and terrible) photos of #18, a Barbero inspired guitar made from very high quality European spruce and cypress; Spanish cedar neck with ebony insert and fingerboard, Indian rosewood headplate and bridge, Madagascar rosewood binding. Unfortunately I couldn’t get any proper flamenco recording yet, but I’m delighted to brag that it sounds very good. My friend Tiberiu „El Grelo” Gogoanta, a professional flamenco player from Spain said it is the most powerful blanca he ever played when capo’ed higher up the neck, which seems to be a tricky situation for many guitars. When set up with a taller saddle it makes an excellent classical guitar, with the typical sweet and delicate tonal color of cypress, plenty of harmonics and excellent sustain.